In its eighth yr, Tyler, The Creator’s Camp Flog Gnaw Festival continues to take crowds on a musical joyride with a few of hip-hop and R&B’s most outstanding voices and rising acts. Los Angeles’ Dodger Stadium reworked right into a zany carnival for all ages on Saturday (Nov. 9) with three levels — aptly titled Camp, Flog and Gnaw — quite a lot of honest meals and amusement rides and points of interest sprawled throughout a number of parking tons.
As for the lineup, the artists introduced their a-game to Stadium Way, from shock addition rapper-singer Dominic Fike to headliner and soulful deity Solange. While hopping from stage to stage ought to require a stunt double, Billboard squeezed in time for many of day one’s roster and stored tabs on the memorable moments beneath.
3:56 p.m.: Backed by an all-lady band and 4 feminine dancers in scorching pink and snakeskin energy fits, headscarf-wearing melody queen Yuna sashayed onto the Flog stage in a lime inexperienced two-piece ensemble that screamed fashionable boss apparel. She introduced the Southeast taste of her Malaysian roots with the opener “Forevermore.” The R&B/pop songstress additionally spiced up her efficiency with swaggy choreography, a playful facet that lately emerged together with her newest album Rouge. Running via different catalog highlights just like the Usher duet “Crush” and the Tyler, the Creator-assisted gem “Castaway,” Yuna then introduced out particular visitor, Kyle, for her unfiltered quantity “Likes.”
4:31 p.m.: The Gnaw stage turned L.A. rapper Domo Genesis’ lyrical playground as he delivered each bars and jokes. A life-sized cardboard cutout of him in animated type frolicked by the DJ sales space because the rapper perspired via his set in actual life. “I had some sips of Hennessy,” Genesis stated about his pre-performance drink. “That’s why I came out sweatin’ before I even did a lyric… I’m hot and kinda drunk.” Clips of classic popular culture references from the NBA Jam recreation to Nickelodeon’s Legends of the Hidden Temple present performed on the Jumbo display as he carried out “Time Goes By.” Laced in a black World Class Trouble Solvers customized jumpsuit, Genesis additionally previewed new materials, prefacing the observe with: “F–k what occurred up to now … get that s–t crackin, proper now.”
4:58 p.m.: Pop-punk act Dominic Fike riled up the principle Camp stage crowd along with his Billboard chart-topping tracks, “3 Nights.” (The observe hit No. 1 on the Alternative Songs chart in September.)
5:33 p.m.: Thundercat’s eclectic set ended with a tribute to Mac Miller. With icon Michael MacDonald and jazz large Kamasi Washington sharing the stage, the bassist/singer/songwriter wrapped his set by declaring “This definitely goes out to Mac Miller” earlier than launching into the funky, Isley Brothers-sampling quantity “Them Changes.”
5:43 p.m.: At the Camp stage, Flog Gnaw staples The Internet jammed. The Grammy-nominated outfit related with followers by tapping into group and solo cuts just like the 2015 Ego Death lower “Under Control” to guitarist Steve Lacy’s Apollo XXI entry “Playground.” Syd’s candy, whispery vocals shined throughout a stay rendition of “Hold On” earlier than the crew closed with the groovy providing off 2018’s Hive Death, “La Di Da.”
6:18 p.m.: Summer Walker was freed from technical difficulties at CFG following final weekend’s battle at Day N Vegas. With a stay band, a working mic, and two pole dancers, the singer emerged on the Flog stage with body-hugging lime inexperienced biker shorts, a strappy black high, her pure curls flourishing and a pair of black glasses. Her debut album’s title observe “Over It,” “Drunk Dialing…LODT” and “CPR” introduced the grown and horny to camp.
6:47 p.m.: Juice WRLD was a strolling, speaking turn-up. As he bounced throughout the Camp stage, he leaned into the theme of his 2019 sophomore effort Death Race For Love with a video game-esque vignette that harped on a high-stakes race for love. He slipped in a mini-freestyle throughout “Bandit,” shouting out Flog Gnaw earlier than exhibiting like to the 2000 Vitamin C throwback along with his Benny Blanco collaboration “Graduation.”
7:12 p.m.: Legendary MC Yasiin Bey flexed his español on the Gnaw stage. A fast scan throughout the viewers confirmed only a few telephones up within the air and a sea of head-bobbers who knew they have been rockin’ with one of many biggest. As a backdrop, scenes from the 1977 traditional Killer of Sheep performed as he delivered “No Hay Nada Mas” and “Pretty Dancer” off the 2009 album The Ecstatic.
7:32 p.m.: Despite the 80-degree climate, Daniel Caesar offered the best cuffing season soundtrack on the Flog stage. A majority of followers belted their hearts out to Case Study 01 favorites like “CYANIDE” and the Brandy-assisted gradual jam “Love Again.” The power took a dip when Caesar grabbed his guitar and commenced to strum his ache for “ARE YOU OK?” “This is personally my favorite song,” he prefaced. “I’m gonna slow it down a lot but I personally don’t care.” Soon sufficient, the group was again to their comfortable singalong with the romance-inducing observe “Get You.”
8:15 p.m.: The Camp Flog Gnaw pioneer was clearly the night time’s undisputed MVP. In a sturdy blonde wig (that stayed planted on his head regardless of his wild dance routines all through the night time) and a multi-colored go well with — a nod to his Igor character — Tyler, The Creator pandered to followers from all phases of his profession. From cuts off his latest launch Igor like “I THINK,” “A BOY IS A GUN,” “PUPPET” and “EARFQUAKE,” Tyler dove deeper into his discography with “911 / Mr. Lonely,” “IFHY,” “Yonkers,” “She” and “Who Dat Boy.” Every providing prompted a rap-a-long, until Tyler inspired followers to return more durable: “Sing this f–kin’ song!” He then slowed down the tempo to present due to attendees for supporting the eight-year-old pageant franchise and barely flex. “I ain’t ride anyone’s wave and I own my s–t.” Suit drenched in sweat, he piled on extra heartbreak rap for the finale with “See You Again” and “ARE WE STILL FRIENDS?” “This just made me appreciate him ten times more,” one attendee was overheard saying after the high-octane efficiency.
10:06 p.m.: After saying her cut up from longtime associate Alan Ferguson earlier this month, Solange proved she will nonetheless do dangerous all by herself. In a black corset and go well with, the melanated queen hit each angle, twerk, hair flip and be aware just like the seasoned performer she is. When I Get Home and A Seat on the Table blended into a wonderful medley of black girl excellence, as she spit her “Can I Rock The Mic (Interlude),” which started with: “I can’t be a singular expression of myself, there’s too many parts…” Curvy dancers and stay musicians amplified Solange’s minimalist however impactful set as she rolled via “Stay Flo,” “Binz,” “Mad” and “F.U.B.U.” When she segued into “I’m a Witness,” her chants of “Takin’ on the light” felt like each a declaration of her energy and an invite to affix her. As the night time’s conductor of spirituals, Solange made self-sabotage and ache sound so bittersweet. “Cranes in the Sky” and “Don’t Touch My Hair” have been her ultimate numbers, cementing the emotional gangster that Solo is.